The official cinematic trailer is-for once-a good sample of the level of talent at work in Iron Harvest. They could be mistaken for cinematics from a bigger game with a much bigger effects budget and well-known voice actors. One in particular depicts the rise of an autocratic ruler in such a succinct and direct way that, despite knowing nearly nothing about the internal politics and daily life of the nation, I immediately got the story and wanted to know more.
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Their graphics and sound are leagues better than the gameplay, and they're smartly directed: They use varied camera angles, lighting, clever set dressing, and understand how to tell good, short stories. Play The cinematics before and after every campaign mission are nearly always a delight. The music is a bright spot, with a medley of folk instruments and styles from across eastern Europe blending smoothly with bombastic orchestral pieces. The mech engines are more a timid background growl than the throaty, even deafening roar you expect from a tank engine.
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Gunshots lack the distinctive crack of real firearms. It gets the job done, and the voices are good, but it lacks the punch of games with similarly realistic looks. They're not bad, they’re just not as photorealistic as the art style aspires to. Polygons have sharper edges than you'd like, or textures aren't quite as nice on closer inspection. All those cool mechanical beasts mean that Iron Harvest looks good enough in average play-though I turned off the obnoxious motion blur-but the graphics fall down in small places when you really start to pick at them. I came to really value units like the Polanian Smialy light mech, a big soda can on chicken legs, because it’s a fast long-ranged defender, or the Saxonian Isengrim, a normal-looking tank with crab legs, because it’s tough and doesn't need too much attention while I micromanage elsewhere. You spend most of your attention figuring out which units you need to counter the enemy's composition, building them, and directing them into combat. “Strategy is a balance of attack and defense-first to secure resource points across a broad front, then to keep them upgraded, repaired, and defended.
I call out Warcraft 3 very specifically, because there are few moments in the past 20 years of RTS gaming that give me goosebumps like the opening cinematic of Alliance and Horde clashing as Medivh narrates to Thrall. His relationship with Saxonian crown prince Wilhelm grows from mentorship to rivalry, and has a jaw-dropping twist mid-campaign. His mournful, grumbling admonitions on the inhumanity of chemical weapons, killing en masse from afar, and the vanity of kings are great material for the greater story. It's a familiar story from history, but no less effective for it. Or take veteran Saxonian general Gunter von Duisburg, an old-breed warrior who fails to see the true scope and horror of industrialized warfare before the great war begins. She comes into conflict with her uncle, with war-weary authorities, and ultimately with her own values. She and her pet bear Wojtek are a key hero unit whose story comes to terms with the horrors and heartbreak, then the complexities, of the war over the course of her campaign. Take Anna, a Polanian villager who takes up arms when her family is threatened. That the characters are simple isn't a knock against them, but rather it helps the story move forward in a limited space. “The story of Iron Harvest takes simple characters through cheap thrills and clever cliffhangers to surprisingly emotional conclusions. Why have wheels on your heavy machine gun when it could have eight legs? Why have a mech's cockpit on top when it could hang from the bottom? Why use explosives to propel a bomb when you could launch it from between two spinning wheels? Why indeed. The brilliant character designs, inventive mechs, and convoluted equipment are a delight. It’s bursting at the seams with ambition, as though the developers at King Art Games looked back fondly at the mid-2000s heyday of the RTS and said: "We can do that." While it might not have pinnacle graphics and sound, Iron Harvest represents something that has become all too rare for fans of the RTS, and it’s the best single-player RTS campaign I've played in years.Iron Harvest is filled with unabashedly, nonsensically cool stuff for nerds. That's the landscape of Iron Harvest: stylish alternate-history real-time strategy with modern gameplay and a detailed single-player campaign. Through it all, the stomping of a mech's piston-powered feet.
The choking smoke of diesel engines, gunfire plinking off of metal, explosions throwing soldiers to and fro.
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